DRONE
WARS
It
should come as no surprise to anyone that where there is technology created for
good, it will eventually be used for evil. That’s as true with nation states as
anyone else, because sooner or later, someone with an eye to defence or offence
will come along and find a possible alternative use for the latest gadget. Most
of the time we civilians – if we hear of it - might turn a blind eye when
inventions are weaponised because it’s done by those we trust… or at least, done
by people we don’t distrust quite as much as others.
Where
the blind-eye rule goes off-tangent a little is when something relatively
innocuous can be turned against us by those who wish us ill. I’m thinking here
of drones. Not the big Predator-type, missile-firing craft (otherwise known as
an unmanned combat aerial vehicle or UCAV for short), but the
much smaller versions seen being flown for recreational purposes and, more
seriously, for commercial use such as in surveys, film-making, traffic
monitoring (and, undoubtedly more and more for people monitoring, aka crowd
control).
When I first conceived of a
thriller featuring small drones or quadcopters as a potential weapon (in what
was to become ‘The Bid’ – Midnight Ink) back in 2015, I was constrained by
the known models available at the time having limited payloadcapabilities
(what they were able to carry apart from the camera), as well as flying range
and ceiling restrictions. There were also a ton of rules in place – and more to
follow - about use and abuse. Not that any terrorist would care about those, of
course. But it was useful research.
In the book, a shipment of drones
has been stolen from a cargo hub in the US, and the machines are suspected of
being used in the planning and rehearsal for a
terrorist strike on a military base in the Midwest, while the US president is
making an official visit. At the same time, a drone expert, a former USAF
Intelligence officer, has been kidnapped and held in a box jail and forced to
teach a group of terrorists how to fly the machines under threat of death of
his family. The two investigators sent to track down the missing expert, British
–ex-cop and soldier, Ruth Gonzales and Andy Vaslik, also ex-cop and Homeland
Security agent – (see also ‘The Locker’ – Jan 2016 – Midnight
Ink), soon find they have only a very limited time to find where he’s being
held… and how to stop the attack. And the US is a very big place to search.
By the time I finished the book
and it was going to print in the US in late 2016, drone technology had already
moved on, as technology inevitably will. Where I’d decided that a
standard-issue, over-the-counter model would do, with a payload of 2.5kg (5lbs)
to carry a small amount of explosive or chemical over a range of up to twenty
miles, new models were coming out with much heavier payload capabilities, a
greater range and ceiling, and could move at much faster speeds, making them
more difficult to track and stop. However, my book is not a treatise on how to
use drones, and it was too late to re-write the basic details and in the end, I
figured unnecessary, because enough was enough; by the time I’d accounted for
improvements, there would be even more out there, a case of fiction chasing
reality and not being able to win. (I suppose I could have gone for pure
invention, but I always prefer to write about things as they are, for the sake
of reality).
Interestingly, where it came to
researching how a drone could be stopped in mid-air, there was geo-fencing
(jamming), which wasn’t always effective or available. And how do you cover
every potential target? Impossible. For private targets there was and is the
old-fashioned approach of using a shotgun… or thumping the annoying ‘pilot’
overflying your property and filming your wife sunbathing. Some countries are now
using lasers or reverting to much older technology, such as birds of prey, to
bring down nuisance or threatening drones… or maybe even the pilots, too. (I
know what my reaction would be if I saw a golden eagle coming down at me… )
Sadly, to revert to my opening
line, it’s no surprise that terrorists are already reported to be using drones,
either for scoping targets or opposition forces, or for more aggressive actions
such as delivering bombs. This chain of events will undoubtedly continue, with
protective or counter-attack methods being invented and improved, followed by
the use of newer and more sophisticated drones to overcome the defences, in a
sort of technological and deadly game of leap-frog.
-
A
prisoner who wakes up in a box miles from anywhere.
-
A
jailer who doesn’t question his job.
-
A
shipment of drones stolen in transit from a cargo hub.
-
Kidnappers
planning a devastating attack on US soil.
When James Chadwick, a
drone expert, disappears suddenly, Cruxys Solutions investigators Ruth Gonzales
and Andy Vaslik are assigned to track his last movements.
With few clues to go on,
the hunt moves from London to New York, gathering speed as they close
in on a horrifying plan to kill the US President and inflict total damage on a
US Air Force base.
And time is running
out...
“…the scariest part of this book is that
everything is utterly probable, and scarily real.”
Permenion Books Review
"A
nice mix of superheroes and regular folks; some snappy writing and a timely
story".
Booklist Reviews
“Action-packed, filled with
suspense at every turn. We can always expect an exciting thriller from Adrian
Magson, and The Bid is no exception."
Fresh
Fiction Reviews
‘The Bid’ – the 2nd in the Gonzales &
Vaslik series – Midnight
Ink – Feb 8 2017.
Adrian Magson
is the author of 21 crime and spy thrillers, a YA ghost novel and 'Write
On!' - a writers’ help book. His latest books are 'The Bid’ (Midnight Ink – Jan 2017), second in a new
thriller series, and ‘Dark Asset’, (Severn House – Feb
2017), the fourth in the Marc Portman spy series. A reviewer for Shots Magazine, he also writes the
‘Beginners’ and ‘New Author’ pages for Writing Magazine (UK).
