Gwen Moffat lives in Cumbria. Her novels are set in remote communities ranging from the Hebrides to the American West. The crimes fit their environment, swelling that dreadful record of sin in the smiling countryside cited by Sherlock Holmes.
This
novel is a reminder that Britain has more than slavery as a blot on her
escutcheon, although perhaps that too, for one folk memory of the Clearances on
the Isle of Skye is that some of the evicted crofters were sent as slaves to
American plantations.
Authentication
is immaterial in the context for The
Story Keeper is concerned with folklore and, even beyond the island’s recent
bloody history, the folk memory is dark. Older tales involve girls stolen by
the fairies, never to be seen again. There’s a lot of sex around and it makes a
neat design that the educated people obsessed by the subject are an aged
spinster, the collector of such tales, and her assistant, Audrey Hart, a young
woman with a suspect past who is haunted by an unpleasant experience while
befriending vulnerable children at a London orphanage.
The theme
of exploitation permeates this book. Already, at the start, Audrey has
encountered a sick and tattered waif on the Skye ferry, one shunned by the other
passengers. At the big house which is her destination the unhappy servants give
her only a grudging welcome. There is the traditional air of gloom; the local
men dour and domineering: the glowering factor, the doctor, the minister, and
all ill-mannered but particularly towards the English visitor.
Miss
Buchanan, Audrey’s employer, is as unsympathetic as the rest: clever, autocratic,
cheese-paring. Conversely her nephew is a charmer, his looks and fey
intelligence suggesting he is to provide the love interest. For this is a confusion
of romance and the Brothers Grimm, with a deep and powerful undercurrent that can
accommodate not only Freud but those recent horrors that smacked of genocide when
the land was cleared for sheep and deer.
Seen
through a Londoner’s eyes there are sinister portents. Crows flock, there are
murmurations of starlings; violence is threatened. The waif from the ferry is
the first casualty, her bruised body washed up on the rocks below the mansion. Audrey
now turns investigator on the strength not only of the bruising but the girl’s
being pregnant. The doctor signs the certificate citing drowning as the cause of
death, and the minister connives as a witness. Under cover of collecting
ancient stories Audrey discovers that, prior to her arrival, several girls have
vanished mysteriously.
One of
them, missing for weeks, returns, mute and terrified, suffering from typhus. The
omens proliferate horribly. An impaled death’s head moth comes to life,
screaming. Cattle, perhaps people, are buried alive. Everyone seems to be mad,
or is going mad
The
climax should have been expected although there is a neat twist. Otherwise it’s
been a case book scenario, or several of them, conducted on an island which is
hardly the Skye one knows and loves, but carrying some whiff of magic because
one reads to the inevitable end.
Not
gripping but interesting.