Gwen Moffat lives in Cumbria. Her novels are set in remote communities ranging from the Hebrides to the American West. The crimes fit their environment, swelling that dreadful record of sin in the smiling countryside cited by Sherlock Holmes.
India 1920: high summer, and
in the steamy heat of Calcutta the Crown Prince of Sambalpore is shot dead in
the presence of two officers of the Imperial Police. Chased and cornered, the
assassin shoots himself, leaving no clue concerning motivation, nor a hope of
discovering who might have hired him. However, the prince, heir to a small but
fabulously wealthy kingdom (with its own diamond mines) had been receiving
notes warning him of impending danger. Since these can be traced back to his
own country, the cops already involved in the case board the royal train
carrying the coffin, intent on following the trail to Sambalpore.
The police are an unlikely
pair: Sergeant Banerjee is a Bengali, Harrow-educated. With a good grounding in
the classics he is rather more astute than his boss, Captain Wyndham, who is
rough, something of a bumbler and a pushover for a pretty face. Neither man is
at home in the vulgar opulence of Sambalpore’s royal court where – as
representatives of the Raj – they are not generally welcome. Moreover, in their
ignorance of an alien world, each, in his varying way, finds its nuances
incomprehensible. They distrust even those who appear cooperative whether
native or expatriate.
The court seethes with
intrigue. The old Maharaja is dying. Among his two surviving wives and 126
concubines there are innumerable children but only two of them can succeed to
the throne: the son of the dead Second Maharani who is a playboy, and the child
whose mother is the third wife. The First Maharani is childless, an
amiable old lady and one of the few people who are not hostile to the police.
Wyndham, although socially
confused, accepts that any royal court must be riddled with power-seekers and
their sycophants but, in searching for the person who hired an assassin to kill
the Crown Prince, he’s following the money. He’s focussed on the diamond mines.
An Anglo Indian company is sniffing around, evidently with the intention of
acquiring them but it appears that someone is anxious to de-rail the process.
The crux is that Sambalpore is dependent on its diamonds; they are a resource
to die for.
Whether it’s power or
greed, or both, at the heart of several crimes, past and present, women
are involved: all beautiful, all femmes fatales. The mother of the assassinated
prince is said to have been poisoned for preferring Paris to the
seclusion of the harem while, incarcerated in the dungeons is Bidika, a
fiery subversive who suffers not for her politics but her rejection of the new
Crown Prince’s advances. He is now courting Annie Grant, who happens to be the
love of Wyndham’s life. And there is Katherine Kimberley from Bolton who met
the murdered prince in London and followed him to India. Now, as a bereaved
mistress, she is packing to go home to Lancashire: less glamorous but safer.
There is a
neat twist at the end along with words of wisdom regarding truth and justice
and a sly reference to the title. But the meat of the book, the intrigues, the
diamonds, the doomed splendour of the court, even Wyndham’s addiction to opium –
all the promise of colour and action falls flat, leaving one with a wry sense
of disappointment.