Sara-Jayne Townsend is a published crime and horror writer and likes books in which someone dies horribly. She is founder and Chair Person of the T Party Writers’ Group. http://sarajaynetownsend.weebly.com/
Detective Nick Belsey is not in a good
place. Suspended from Hampstead CID pending a hearing concerning allegations of
gross misconduct, and of no fixed abode, he is squatting in his former
building, with no electricity and no prospects. Then a knock on the door of the
abandoned building changes things – a woman wants to hire Nick to find her
middle-aged son, missing for two days.
It doesn’t take long for Nick to
discover that the son, Mark Doughty, had been stalking young starlet Amber
Knight, and he decides to start his investigations in the sordid world of
celebrity. It becomes clear that Amber is hiding secrets, but why is she lying
about not knowing Mark Doughty when a CCTV camera captures them both entering a
hotel together? When a body turns up in the woods, appearing to be that of Mark
Doughty, Nick’s investigations take a much more sinister turn. Can he get to
the heart of the secret that connects Amber Knight and Mark Doughty, before
anyone else dies?
This is a dark novel, in more ways than
one, and it’s difficult to empathise with Nick Belsey, who really doesn’t have
many endearing character traits. In fact it’s hard to find a likeable character
in this novel. But they all come across as being fairly realistic and the price
of fame in the world of celebrity is effectively portrayed, especially around
the circus of Amber’s wedding, which she has sold to the highest commercial
sponsor.
There are a couple of moments when one
is asked to suspend one’s belief – the ease with which Nick seems to be able to
stroll into Amber’s house, as an example. Though, one should be prepared, for
if cozy mysteries are more your thing then this book will make for
uncomfortable reading. However, fans of the ‘noir’ detective story; and of
complex anti-heroes who are far from ‘whiter than white’, then this series is
well worth checking out.
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