Jennifer Palmer has read crime fiction since her teenage years & enjoys reviewing within the many sub-genres that now exist; as a historian who lectures on real life historical mysteries she particularly appreciates historical cime fiction.
Helsinki, 1938: a group of
old friends is fragmented over their differing views of the political upheavals
of Europe. One of their long term members has recently employed a secretary,
Matilda Wiik, who recognises the voice of a club member from her own horrific
experiences during the Finnish Civil War of some twenty years earlier.
The importance of
the Finnish Civil War is clear for the character who suffered during it,
Matilda Wiik, now a secretary in the office of lawyer, Claes Thune. For Claes
and his friends in the Wednesday Club, it is the inexorable movement of events
in Europe towards another conflagration that dominates their thoughts. Their
friendship is fractured because their sympathies are in conflict. Their
allegiances range from supporters of the Nazi actions, liberal opponents,
sympathisers with [and opponents of] Soviet Russia to those whose bitter
experiences past or present are controlling their actions.
The Finnish way
of life in the 1930s is well illustrated by Kjell Westo as he handles his
disparate cast well; including lawyers, doctors, businessmen, jazz musicians as
well as the working class men and women. Uneasiness is a constant feeling as
some of these people try to make a modest living while the swirling currents of
Communist and Fascist sympathies eddy
over events. Despite unfamiliarity with the history of internal Finnish
conflict—as well as the names of Finnish characters—if the reader applies a
little patience and concentration, the narrative does come into a clear and
focused view.
Though a crime
novel, it has a literary flare - making it a novel of ideas and history - but
infused with the art of the detection genre. Matilda's story is revealed
gradually in her own distressing flashbacks, while the newly divorced Claes has
his own disquieting memories. Matilda’s memories are suffused with the
disturbing past of the Civil War era. The identity of the man whose voice brings
back the disturbing past for Matilda is hinted at, but not revealed until
the denouement.
The German
actions in 1938 and what they mean for the Finns is naturally of grave concern
to the friends [though these thoughts are balanced by the fears of the
Soviets]. There is also much detail about Finnish culture of that era which
indicates the inroads that Hollywood injected into European popular
entertainment. The characters that Kjell Westo has crafted are presented as
real people as the reader becomes enmeshed into the story of their thoughts
and, ultimately, their actions making for a fascinating insight into another
culture, and another time.
Translated by Neil Smith
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